Sometimes A Wind Blows
Dec
6
to Jan 10

Sometimes A Wind Blows

Sometimes A Wind Blows
Wonzimer Gallery
341-B S Avenue 17 Los Angeles 90031 / wonzimerinfo@gmail.com Opening: 5 pm-10 pm, Friday December 6th, 2024
Dates of Show: December 6th, 2024 - January 10th, 2025

Ian Douglass, Joel Otterson, Jess Goehring, Cheyann Washington, Liv Aanrud, Brittany Kiertzner, Uzumaki Cepeda, Monica C. LoCascio, Kristin Reger, Renata Daina, Daniela Parhisi, Preston Douglas Boyer, Lucien Dante Lazar, Lissy Funk

Wonzimer is proud to present Sometimes A Wind Blows, a group exhibition exploring the diverse possibilities of textile art. The title of the show, taken from David Lynch’s Blue Velvet soundtrack, reflects the sweeping, ephemeral meditation of material on display.

Each artist showcases a wide range of techniques and media, from embroidery, weaving, painting, printing, and knitting to experimental manipulations of linen, velvet, or silk. Bringing together legacy artists with new generations of artists, this show explores the enduring appeal of textile art, as both tangibly luxurious and mysterious.

Installation, sculpture, and the inherent relationship to the surface of painting are all invoked in this exhibition. The disparate works coalesce into a shared sense of this romantic freedom offered by textiles: of the ethereal yet deeply felt whisper of wind that we interface with through fabric. An explicit sense of craft pushed into novel forms, emerges as a crucial concern in this diverse field.

From this expansive perspective, the works on display invite viewers to engage with the tactile nature of textiles, with shimmering significance in the contemporary zeitgeist. Exploring the environmental implications of material choices and through-lines of historical and cultural connection, Sometimes A Wind Blows offers a panoramic perspective on the world of textile art.

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Neeff's 'Carnival of Benevolent Fortune'
Dec
28
to Dec 29

Neeff's 'Carnival of Benevolent Fortune'

Saturday, Dec 28

8:00pm – 1:00am

ONE NIGHT ONLY GAMES - MUSIC - FOOD AND DRINKS - PERFORMANCES -TREASURE
 Celebrate luck, art, and the turning of the wheel! Lose yourself in games created by a roster of the greatest artist. This is more than a Carnival - it’s Jubilant Jupiterian celebration to set the stage for an abundant future. The Carnival of Benevolent Fortune. Be there, or the gods will know. Face Painting, Games, Rides, Music, Performances, and much more! Entry $5 Tickets $1 = 1 Game

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Transience to the Infinite: A Scientific Exploration of Time and Space
Jan
17
to Feb 14

Transience to the Infinite: A Scientific Exploration of Time and Space

Transience to the Infinite: A Scientific Exploration of Time and Space

Curated by Cynthia Penna


Opening
: 5 pm-10 pm, Friday January 17th 2025
Dates of Show: January 17th - February 14th 2025

Wonzimer Gallery

341-B S Avenue 17 Los Angeles 90031 / wonzimerinfo@gmail.com

Featuring: Bonita Helmer, Laddie John Dill, Ann Weber, Alaïa Parhizi, Max Coppeta, Todd Williamson, Khang Nguyen, Amedeo Sanzone, Nurit Avesar, Lisa Bartleson

Transience to the Infinite brings together a diverse group of ten artists whose works offer unique perspectives on the ephemeral nature of existence and the boundless possibilities of the universe.

In “God, Science, Evidence: The Dawn of a Revolution”, Olivier Bonnassies, alongside Michel-Yves Bolloré, posits that contemporary scientific research inexorably points to the existence of a Creator God—an assertion that may seem provocative in the realm of empirical inquiry. The authors intertwine cosmology, physics, history, and theology in an ambitious attempt to bridge the oft- assumed divide between faith and reason. The premise is bold: "With the discovery of thermodynamics," they argue, "we learn that the universe is wearing down, heading toward thermal death. If the universe had a beginning... then there must be a God."

This concept hinges on three core scientific principles: first, the recognition that the universe is inextricably composed of time, space, and matter; second, the certainty that it had an absolute beginning; and third, that its fine-tuned laws seem almost tailored to allow for the emergence of complex life. With such findings, the authors claim that science itself defines what ancient philosophies and religions have long identified as God—a transcendent, external force that crafted the universe, ultimately allowing for human existence.

Yet, despite these weighty claims, the exhibition tied to this discourse does not seek to validate or refute the existence of such a divine entity. Rather, it aims to explore the nuanced intersection between human experience, daily struggles, and spiritual transcendence—where art becomes a means of navigating the liminal spaces between the physical and metaphysical.

The transcendental, often viewed as timeless and spaceless, resonates deeply with the core of artistic creation. Far from the strict boundaries of scientific inquiry, art ventures into those vast unknowns where metaphysics and human consciousness collide. This exhibition invites viewers to contemplate moments of "divine" revelation, not in the religious sense, but as profound instances in which the mind perceives beyond the material world, tapping into a realm that surpasses time and space.

In art, humanity seeks such revelations—a desire to transcend the mundane and ascend to a higher, perhaps mystical, plane. This echoes across cultural and religious contexts, in which the ultimate goal is to connect with what is often referred to as GOD. The role of art in this quest for spirituality is fundamental. As a visual medium, art provides the vehicle for meditative introspection, offering viewers a window into higher truths.

Saint Paul’s assertion in his Sermon at the Areopagus of Athens that “God created man so that he might seek Him” resonates here, as art becomes the catalyst for such a search—an intimate and often silent dialogue between the viewer and the ineffable.

But what of mysticism in the contemporary era? Is there still space for such contemplation in our material-obsessed world? Wassily Kandinsky provides a prophetic answer. He once remarked on the "tragic collision between matter and spirit" in his era, foreseeing the rupture of a purely materialistic worldview. Kandinsky's words, spoken over a century ago, describe a cultural crisis that feels remarkably familiar today—a time marked by uncertainty, disorientation, and spiritual yearning.

His own artistic journey shifted from representing the objective world to delving into the inner Klang (the “inner sound” or “inner need”), striving for a spirituality and transcendence that go beyond the mere physical representation of reality.In this sense, Kandinsky’s message is uncannily relevant to our current moment. As we grapple with a world increasingly dominated by superficial material concerns, the existential questions of theearly 20th century resurface. His call for spiritual awakening, through art, suggests that refuge in the spiritual or even in art itself is insufficient on its own. Rather, what is required is a fundamental transformation of our way of being, rooted in introspection and a relentless pursuit of justice—both personal and collective.

This transformation begins with an acknowledgment of our own smallness within the vast, intricate mechanism of the universe. If we could pause to truly grasp the magnitude of what lies “OUT THERE” beyond our limited world, perhaps only then would we see art and introspective thought as the fragile but powerful tools they are: means of reconnecting with a broader, more profound sense of existence.

The exhibition thus calls on us to reflect on this urgency for change. It urges a recalibration of our behaviors, anchored in the realization of our finitude and insignificance in the grand cosmic design. And yet, it also reminds us that, within this immense scope, we have the capacity for profound insight, expression, and—through art—a connection to the infinite.

by Cynthia Penna

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PRESTON DOUGLAS BOYER / ARTIST TALK + WEDDING DRESS PERFORMANCE
Dec
14
12:00 PM12:00

PRESTON DOUGLAS BOYER / ARTIST TALK + WEDDING DRESS PERFORMANCE

SATURDAY DECEMBER 14TH

12:00 PM

PRESTON DOUGLAS BOYER WITH AUBRIE WIENHOLT OF PR FOR ARTISTS AND MATTHEW DUNNERSTICK OF HEROIC & ARSNL ART

WONZIMER

341-B S AVENUE 17, LOS ANGELES 90031

AS PART OF, "SOMETIMES A WIND BLOWS" A GROUP EXHIBITION FEATURING TWO NEW SCULPTURES AND TWO NEW PAINTINGS BY PRESTON

WEDDING DRESS PERFORMANCE PIECE ALSO

BEGINS AT NOON SHARP

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The Universal and The Particular, Guided Meditation
Nov
17
3:00 PM15:00

The Universal and The Particular, Guided Meditation

Join us in dialogue with David McDonald and Khang Nguyen, featured artists in our current exhibition The Universal and the Particular, The program will begin with a brief guided meditation session, followed by a discussion of the connections between spiritual and creative practices. David is also the abbot of the Dharma Zen Center in LA, and Khang is also a PhD candidate in philosophy and religious thought at Claremont Graduate University There will be light refreshments in the lounge prior to the program

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A Racket of Banshees: An Evening of Contemporary Feminist Video
Nov
7
7:30 PM19:30

A Racket of Banshees: An Evening of Contemporary Feminist Video

A Racket of Banshees: An Evening of Contemporary Feminist Video

In the immediate wake of the historic 2024 US presidential election, The Association of

Hysteric Curators (AHC) proudly presents an evening of feminist experimental film and video

art, hosted by the Wönzimer Gallery at 341 S. Avenue 17 in Los Angeles on November 7,

2024, beginning at 7:30pm. Entitled “A Racket of Banshees,” this series of twenty-one short

films explores an array of feminist and women’s rights issues, many of which currently occupy

the forefront of US national policy debates. Collectively, all of the films invite viewers to reflect

upon what it means to be a woman in our contemporary society, and to gain a deeper

understanding of how women’s identities shape their everyday lives. Through the lens of each

woman filmmaker, viewers are ushered into a visual world that critically examines feminist issues

such as: aging, disability, reproduction, ecofeminism, violence, politics, and self-determination.

Utilizing a range of filmic styles and media (including claymation and AI) and source material

(e.g., wildlife camera footage), each film offers viewers a profound meditation on what it means

to live life from the perspective(s) of human beings relegated to the politically-peripheral,

biosocial category, “woman.”

The exhibition title, “A Racket of Banshees,” references female spirits who, according to Gaelic

folklore, appear and begin screaming (or wailing) to herald an impending death. Art historically,

Kiki Smith explored the concept of the banshee in her 1991 work, Banshee Pearls, in which she

cast herself as a banshee in a series of 12 lithographs, surrounded by images of skulls, death

masks, and other beast-like forms. As in Smith’s Banshee Pearls, each film in “A Racket of

Banshees” may be viewed as a single banshee in celluloid form, who has come to us to declare

all manner of deaths: that of women’s reproductive rights; the pandemic of global femicides; the

death of our Mother Earth; and the ultimate demise of patriarchy.

The Association of Hysteric Curators is a Los Angeles-based feminist collective of artists and

curators founded in 2014. Their mission is to advance the lives and careers of feminist artists,

and to artistically explore alternative paradigms of gender and political protest through a non-

hierarchical organizational structure based in dialogue and exchange. While honoring the

historical lineage of feminist models, the AHC envisions “a future of human equality, knowing we

must interrogate the customs of today in order to enable conditions for change.”

“A Racket of Banshees” was curated by the Association of Hysteric Curators collective, under

the special organizational direction of member artists Margie Schnibbe, Snezana Petrovic, and

Mary Anna Pomonis. For more information about the Association of Hysteric Curators, please

consult their website at: www.hystericcurators.com.

Anke Therese Schulz

Participating Artists: Attic Portrait (Michelle Tift & Sea Zeda), Melanie Elyse Brewster, A. Laura

Brody, Alessia Lupo Cecchet, Ching Ching Cheng & Manyu Gao, dama (aka Amanda Maciel

Antunes), Victoria Delgadillo, Diana-Sofia Estrada, Rachel Finkelstein, Malado Francine,

Raghubir Kintisch, Ibuki Kuramochi, Leslie Lanxinger, Marne Lucas & Tyler Hubby, Maya

Mackrandilal, Sarana Mehra, Alexandra Neuman , Snezana Saraswati Petrovic, Leah Piepgras,

Mei Xian Qiu, Margie Schnibbe, Kayla Tange, Matt Odom & Caroline Yoo

For more information and press inquiries please contact AHCvideoteam@gmail.com.

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W.A.R.P OPEN STUDIOS
Nov
2
4:00 PM16:00

W.A.R.P OPEN STUDIOS

W.A.R.P. OPEN STUDIOS ⁣SATURDAY MAY 18TH
4PM - 9PM

Featuring thirteen contemporary artists who are exhibiting one artwork, along each of their studios.

David Hansen

Cheyann Washington

Vasco Del Ray

Alyse Stone

Tarra Wood

Snezana Saraswati Petrovic

Davey Whitcraft

Lewis Mitchell Neeff

John von Pamer

Christopher Gomez

Meriel Stern

Sylvia Feliz Sewell

W.A.R.P. is an enriching contemporary artist residency program that is designed to give artists from all backgrounds the ability to develop a body of work while learning and growing alongside a welcoming community.

Co Aligned with @keystoneartla
Keystone Art Space

There are 2 studio available with W.A.R.P. ⁣Please DM or email wonzimerinfo@gmail.com to inquire
Available for immediate move-in

W.A.R.P. is an enriching contemporary artist residency program that is designed to give artists from all backgrounds the ability to develop a body of work while growing alongside a welcoming community.

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The Universal and the Particular
Nov
1
to Dec 1

The Universal and the Particular

Wonzimer Gallery 341-B S Avenue 17 Los Angeles 90031/ wonzimerinfo@gmail.com

Opening: 5-10 pm, Friday, November 1st, 2024

Dates of Show: November 1st - December 1st, 2024

Exhibiting Artists: David McDonald, Khang Nguyen, and Jennifer Sirey

The vision and philosophy of interconnectedness in the Flower Ornament Sutra serve as the basis for this exhibition. The central principle of this text is the fourfold Dharmadhatu (realm of reality).

Of the four aspects of the Dharmadhatu, the first two are the universal and the particular.  One can determine their meaning by referring to other terms used to describe them, such as the ultimate and phenomenal, absolute and relative, identity and difference, ontological and ontic, nondual and dual, one and many, etc.

This text does not consider the realization of the nonduality of Being to be the utmost and final objective.  This is due to the emphasis on integrating that realization into everyday activities—that is, into the particular, the second aspect of the Dharmadhatu.

That leads to the third aspect of the Dharmadhatu, the interconnection of the universal and the particular.  The nonduality of the universal can give rise to particular differences without itself becoming differentiated.  Conversely, the individual can find common ground in the universal without itself becoming common.  This suggests that these two dimensions are inseparable without being conflated.

The interconnectedness of particular beings constitutes the fourth aspect.  From this vantage point, phenomena can be understood as a field of congruous beings rather than adversarial ones.

The audience is invited to view the artwork of David McDonald, Khang Nguyen, and Jennifer Sirey through the prism of the fourfold Dharmadhatu.

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Hidden Narratives
Oct
22
to Oct 26

Hidden Narratives

ModA Curations Presents:

Hidden Narratives

ModA Curations’ second exhibition, curated by Sia Fang, speaks to the indescribable elements of human experience

October 22 – 26, 2024

341-B S Avenue 17, Los Angeles, CA

Los Angeles, CA (September 10, 2024) – ModA Curations is pleased to announce its second exhibition of 2024, Hidden Narratives, hosted by Wonzimer Gallery and curated by Sia Fang, with production coordination by Irene Ashu of Studio93. This group exhibition explores untold stories from the lives of presenting artists, piecing together feelings of indescribable humanity and making sense of Identity through their transferences and inheritances. The seven contemporary artists exhibited in this show come from a myriad of backgrounds. Their work aims to speak not only to their own experiences, but also to shared, human sentiments, connecting artist and audience through time and place.

Anthropological theory believes “History” is narrow, while crucial narratives are hidden.Through this exhibition, ModA once again uses ethnographic inquiry to explore the ways in which stories told through contemporary art reveal the ways humanity is human. Hidden Narratives will be on view at Wonzimer Gallery in downtown Los Angeles from October 22 – October 26, 2024, with an opening reception on October 22nd from 6-9 pm (RSVP here).

Programming highlights include a workshop for press and institutional audiences on “The ModA Concept” on October 23rd and an Anthropology in Art workshop on October 24th. For more information, please visit moda-curations.com.

Hidden Narratives features the work of five main exhibiting contemporary artists: Quentin Fromont, Sheila Karbassian, Simon Kubik, Anna Ting Moller, and Antonio Vidal in the maingallery, and the works of John Wright ii and Puxuan Zhou as part of Untapped, the Collection.Throughout the exhibition, the relationships between heritage and self, myths and symbols, and intimacy and desire are explored through a variety of traditional and experimental mediums, such as acrylic and oil paintings, installations, and kombucha culture, in order to navigate the complexities of hidden personal narratives which transcend from the works.

Founded by George Fan in October 2023, ModA Curations is a sub-entity of Modern Anthropology (ModA) Studios. ModA Curations was created to serve as a cultural archive, building a library of resistance, reclamation, and representation for contemporary artists, and presenting bi-annual exhibitions in a pop-up format. The directorial team, composed of career anthropologists versed in contemporary art and curation, recognizes the growing need for diverse and nuanced representation, and champions artists as authors of their own experiences. Guided by a philosophy grounded in socio-cultural anthropology, artists are empowered to regain agency in the valuation of their work by emphasizing the importance of cultural relativity in the understanding of their art.

EXHIBITION PROGRAM

October 22: Official Opening and Reception

● 4:30 - 5:30 pm: VIP Press Preview – RSVP here

● 6:00 - 9:00 pm: Official Public Opening Reception and Hors D’oeuvres – RSVP here

October 23: “The ModA Concept” – Private Press Workshop

● 12:00 - 7:00 pm: Workshop on “The ModA Concept” for press, institutional, and

academic audiences. Further details and schedule to be announced.

October 24: “Anthropology in Art” Workshop

● 12:00 - 7:00 pm: “Anthropology in Art” Workshop; $25 suggested donation – RSVP here

● 12:00 pm: Light Refreshments

● 1:00 - 2:00 pm: Anthropology in Art Keynote – George Fan/Esther Fan

● 2:00 - 3:00 pm: Artists in LA Residencies Panel – LA as a prime vehicle for intersectional

art exposure with 18th Street Artists Annette Miae Kim, Ara Oshagan, Marcus

Kuiland-Nazario, and Deborah Lynn Irmas

● 3:00 - 3:45 pm: Short Story Reading – Sheila Karbassian

● 4:00 - 5:30 pm: Exhibiting Artist Immersive Studio

● 5:30 - 6:30 pm: Roundtable Conversation with Exhibiting Artists and Special Guest

Yvette Mattern

● 6:30 - 7:00 pm: Closing Remarks

October 25: Exhibition Open to the Public

● 12:00 - 7:00 pm: Open Hours

● 3:30 - 6:30 pm: Programming, Quentin Fromont/John Wright ii Film Screening(s)

October 26: Exhibition Open to the Public

● 12:00 - 7:00 pm: Open Hours

● 7:00 - 9:00 pm: Closing Reception

About ModA Curations

ModA Curations is a creative organization bridging contemporary art and sociocultural anthropology. Functioning as a sub-entity of Modern Anthropology (ModA) Studios, LLC, ModA Curations operates virtually with in-person, bi-annual exhibitions, showing spring and fall in New York City and Los Angeles, respectively. ModA Studios was founded in the Fall of 2023 by

Executive Director and Anthropologist Georgian “George” Fan.

ModA Contact

George Fan, Executive Director

484.892.7011

george.fan@moda-studio.com

Media Contact

Lainya Magaña, A&O PR

347.395.4155

lainya@aopublic.com

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FILM SCREENING 'Rivers and Tides'
Sep
25
7:00 PM19:00

FILM SCREENING 'Rivers and Tides'

Film Screening Wonzimer

Doors: 7PM

Screening Starts: 7:30PM

Film End: 9PM

"Rivers and Tides", a documentary by Thomas Riedelsheijmer, follows the artist Andy Goldsworthy as he builds nests, arranges rocks and spins willows in a decades-long art practice. Released in 2001, it offers us the pleasure of spending time with Mr. Goldsworthy and his creative process. The film is quiet and inspiring.

As curator of "Echoes of Voynich" I think Goldsworthy's ventures into nature, creating patterns and codes with found materials, meshes perfectly with the theme of the exhibit and the artwork installed in the Wönzimer space. We look forward to sharing the film with you.

Marcie Begleiter

Artist and Curator of "Echoes of Voynich : Coded Systems in Contemporary Art"

"The film offers extraordinary beauty. We watch as he smashes stones to release their cyan content and uses that bright-red dye to make spectacular patterns in the currents and whirlpools of streams. We see a long rope of linked leaves, bright green, uncoil as it floats downstream. Before, we saw only the surface of the water, but now the movement of the leaves reveals its current and structure. What a happy man. Watching this movie is like daydreaming." Roger Ebert 4****

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 Echoes of Voynich
Sep
13
to Oct 18

Echoes of Voynich

Echoes of Voynich

Curated by Marcie Begleiter

Wonzimer Gallery

341-B S Avenue 17 Los Angeles 90031 / wonzimerinfo@gmail.com

Opening: 5 pm- 10 pm/ Friday, September 13th, 2024

Dates of Show: September 13th – October 18th, 2024

“This single, original Voynich manuscript encourages us to sit with the concept of truth

and to remember that there are ineluctable mysteries at the bottom of things whose

meanings we will never know.”

-Jo Livingstone, the New Yorker

Exhibiting Artists :

Marcie Begleiter, Timothy C. Ely, Julie Harrison, Christina McPhee, Blue McRight, Snezana Saraswati Petrovic, Fran Siegel, Linnea Spransy

Echoes of Voynich: Coded Systems in Contemporary Art is a group show inspired by the heretical Voynich Manuscript. This extraordinary 15th-century herbarium delves into medieval ideas of natural science. It presents a closely observed world using intricate drawings imbued with imagined spirits and anthropomorphized powers, alongside elaborately coded text that has never been deciphered.

In a similar spirit, these eight contemporary artists push back on established orders of classification offering worlds of subjective structures, where closely observed nature is conflated or indistinguishable from highly personal systems. Through painting, drawing, photography, artist books and installation work, Echoes of Voynich offers a multi-faceted view of artworks making connections and dissolving boundaries between Flora,Fauna and (Un)earthly Matter.

The exhibit is part of the Getty Institute’s PST series, this year focusing on the theme of “Art + Science: Collide”. The accompanying catalog will feature an essay by the renown artist and scholar Johanna Drucker focusing on the Voynich Manuscript’s enduring fascination for artists, cryptographers, medievalists and anyone who enjoys a literary and artistic mystery.

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TRYST
Aug
23
to Aug 25

TRYST

Wonzimer will be at TRYST this year with a special installation curated and organized by Futopia.

Futopia is a collaborative project created by Ali Osiecki and Saraswati Petrovic. Futopia envisions a world where creativity redefines sustainability. Up-cycling and recycling are transformed into an immersive art installation for Wönzimer Gallery at Tryst 2024. The project invites intimate engagement, offering diverse perspectives on the human condition. 

@futopia_curatorial

@saraswatioblak

@alisonwoodz

@tryst.la

AUGUST 23-25, 2024

Del Amo Crossing

21535 Hawthorne Blvd, Torrance, CA 90503

ADMISSION is FREE

Friday August 23: VIP Opening - 4-6pm

Networking for participating artists 12:30-3:00pm

Opening remarks: 3-4pm

Saturday August 24: Open 12-6pm

After party at the Bendix Building 7-10pm

Sunday August 25: Open 12-6pm

Panel discussions:

1-2pm - Networking for the socially anxious artist

3-4pm - Initiating a successful gallery exchange

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Wandering
Aug
2
to Aug 30

Wandering

Wandering 

Not all who wander are lost


Wonzimer Gallery 

341-B S Avenue 17 Los Angeles 90031 / wonzimerinfo@gmail.com

Opening: 5 pm-10 pm/ Friday, August 2nd, 2024

Dates of Show: August 2nd - August 30th, 2024


Michael Mancari 

Wyatt Mills

Vita Eruhimovitz 

Marie Thibeault

Jorge Mujica  


Wandering, embraces the spirit of exploration, focusing on abstract landscapes. The landscapes in Wandering are not literal depictions of the world around us. Instead, they are portals to imagined worlds, inviting viewers to step beyond the familiar and into the unknown. Each of the artists, guided by their unique artistic vision, have created a captivating vocabulary of form and gesture. The beauty of Wandering lies in its ability to spark individual interpretations. It's an invitation to wander not just through the paintings themselves, but also through the landscapes of our own minds.


Wandering is a journey without a destination. It's a chance to lose yourself in the possibilities of abstract forms, connecting with emotions and experiences that transcend the confines of the physical world. It's an invitation to embrace the limitless potential of the human imagination, a constant reminder that the greatest adventures often begin with a single step into the unknown.



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 World in Ashes - Constantin Werner Solo Exhibition
Jul
21
to Jul 29

World in Ashes - Constantin Werner Solo Exhibition

 World in Ashes

Constantin Werner Solo Exhibition 

Wonzimer Gallery 

341-B S Avenue 17 Los Angeles 90031 / wonzimerinfo@gmail.com

Opening: 3 pm- 8 pm/ Sunday, July 21st, 2024

Dates of Show: July 21st –July 28th, 2024

Artist and filmmaker Constantin Werner invites you to his latest solo exhibition, "World in Ashes," at Wonzimer Gallery, Los Angeles. Following his 2020 show, "Dead Souls," Werner returns with a visceral exploration of human impact on the planet.

"World in Ashes" serves as an artist’s reaction to the unraveling fabric of our world, capturing the devastation wrought by war, global warming, flooding, and the destruction of the rainforest. Through his conceptual, neo-expressionist oil paintings, watercolors, and charcoals, Werner invites viewers to confront the harsh realities of our time.

Drawing from personal history, Werner's portrayal of war echoes through the ruins of Dresden, a city destroyed during World War Two. His grandmother and her children were fighting for survival in that destroyed city as refugees from Czechoslovakia until they settled in Switzerland. The artist's familial ties to the aftermath of war infuse his work with a deep sense of introspection and commemoration.

In his depiction of global warming, Werner turns his gaze towards the melting ice of Antarctica, symbolizing the perilous consequences of climate change.

The legend of Atlantis serves as a haunting reminder of the destructive power of flooding, woven into the fabric of human mythology. Werner's interpretation breathes life into this ancient tale, intertwining it with contemporary narratives of rising sea levels and environmental upheaval.

Finally, the wildfires raging through the Amazon Rainforest emerge as a stark testament to humanity's impact on the natural world.

Join us as we bear witness to the beauty, the anguish, and the resilience of a world in ashes.

For more information about Constantin Werner and his work, please visit:

www.constantinwerner.com

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Echoes
Jul
10
to Jul 17

Echoes

‘Echoes’ - A Transatlantic Dialogue of Art

Opening Reception: July 10th, 6-9 PM

133 Rye Lane, Peckham SE15 4ST, United Kingdom

Dates: July 10th - 17th, 2024

Wönzimer Gallery, in collaboration with OHSH Projects, is proud to announce ‘Echoes’ a transatlantic group exhibition set to open in London. Following the success of ‘Taste’ in Los Angeles, ‘Echoes' furthers the dialogue between contemporary artists from Los Angeles and London, providing a lens into cross-cultural exchange and artistic collaboration.

‘Echoes’ will feature a dynamic mix of drawings, paintings, and sculpture work, showcasing 5 artists from Los Angeles alongside 10 artists from London. This exhibition aims to explore the resonances and contrasts between the artistic practices of two vibrant cities, both marked by their own unique socio-political landscapes yet united by the universal language of art.

The artists presented in "Echoes" have navigated through significant socioeconomic challenges, both in the United States and the United Kingdom. As the world grapples with ongoing political and economic turmoil, art remains a vital means of expression and resilience. This exhibition highlights how periods of hardship can inspire innovative and thought-provoking art.

Exhibition Details:

133 Rye Lane, Peckham SE15 4ST, United Kingdom

Dates: July 11th - 18th, 2024

Opening Reception: July 10th, 6-9 PM

From Los Angeles:

Lucien Dante Lazar

Ian Patrick Cato

Cheyann Washington

Vasco Del Ray

Ann Weber

From London:

Dale Adcock

Ian Douglass

Lisa Ivory

Holly Keogh

Tom Woolner

Katie Hackett

Emma Todd

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“Love, heat, sweat, tears”
Jun
29
7:00 PM19:00

“Love, heat, sweat, tears”

“Love, heat, sweat, tears”

Opening: 7 - 9 pm, Saturday 29th of June 2024

Lindenstraße 91, 10969 Berlin, Germany


“Love, heat, sweat, tears” is the first of three exhibitions dedicated to the amplitudes of human emotion. Everything between passion, fear, and lust will find its expression through the extraordinary selection of international artists and offer the audience an honest and intense impulse to enjoy and reflect.


The starting point of this journey will take place at roam projects in Berlin-Kreuzberg, a nonprofit organization focusing on the art and cultural exchange between the eastern parts of Europe and Germany. As an official partner of the European Capital of Culture Tartu/ South Estonia 2024, the selected artists have been a part of the long-term residency and exchange program between Berlin and Estonia and, therefore have their roots in the latter.

Wonzimer Gallery explores the international exchange with emotional works from their diverse roaster of Los Angeles and Lava from Mexico city based artists to discover the connections and dissonance that exist between these worlds of art. With selected work that touches upon the rollercoaster of modern life as well as the calm moments in between.


//roam projects, Berlin  

Kelli Gedvil

Alexei Gordin

Kristi Kongi

Kennet Lekko

Kristen Rästas


//WÖNZIMER, LA

Cheyann Washington

Gary Brewer

John Greer

Liz Miller Kovacs

 //Lava, Mexico City
Javier Barrios
Daniel Robles Lizano
Dulce Chacón
Valentina Guerrero
Cosa Rapozo

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THE THEORY OF THE GREEN PAINTING
Jun
21
to Jul 19

THE THEORY OF THE GREEN PAINTING

  • Google Calendar ICS

THE THEORY OF THE GREEN PAINTING

Group exhibition Curated by Theodore Svenningsen and Alaïa Parhizi

Wonzimer Gallery 341-B S Avenue 17 Los Angeles 90031/ wonzimerinfo@gmail.com

Opening: 5-10 pm, Friday June 21st, 2024

Dates of Show: June 21st - July 19th 2024

Wonzimer is pleased to present THE THEORY OF THE GREEN PAINTING

The concept of the green painting came into being slowly over many centuries as certain peculiarities were noticed to be prevalent in the histories of a small number of paintings. The defining characteristic of the green painting is that after having been finished, the painting remains continually in the artist's possession even though the artist had never made a decision to keep the painting and had actually made many attempts to have others obtain it. Why this occurs is part of the theory of the green painting. The painting itself seems to have dictated its own history. There are certain qualities in some paintings that result in those paintings dictating their own histories, not directly, but in an indirect manner. A concomitant relationship exists between the relevant qualities in the painting and the person viewing the painting. What these qualities are remains the question and are the subject of the theory of the green painting. 

Theories of art back as far as Plato and Aristotle. Slowly over centuries, the idea of the green painting developed. Augustine, Claudius Galen, and some neo-platonists including Plotinus were mentioned as having been involved. Thomas Aquinus at the University of Paris in the 1200s became involved in the concept of such a painting. During the next several centuries a number of philosophers put forth various theories regarding the green painting. During the Middle Ages when scholasticism dominated discussions and inquiries in the universities, many doctors scholastici were involved in an informal manner with theories of the green painting. This question persisted through the middle ages.

As the era of modern philosophy arrived, the idea of the green painting continued to be discussed with the idea of qualities replacing the earlier ideas of scholasticism. During the 20th century, the idea of art having to be of a certain type of thing or having to have certain qualities began to change to one in which anything, or almost anything, could be art. The view that there was an exhaustive list of qualities relevant to art was untenable. This lead to the argument that there could be no objective judgment as to good or bad in art since the was no list of qualities to be used as criteria. The question of whether or not this is a valid view is not of concern here. The theory of the green painting is concerned with the question of just what qualities are in a painting that result in it being a green painting

Theodore Svenningsen 

Nick Taggart 

Eve Wood 

Alaïa Parhizi

Ming C Lowe

Nadège Monchera Baer

Cyril Kuhn 

Tulsa Kinney 

Michael Falzone

Narsiso Martinez

Alicia Piller 

Emily Elisa Halpern

Serena Potter 

Ada Pullini Brown 

Cameron Masters

Lucinda Luvaas

Mark Acetelli 

Jill Sykes

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‘TASTE’
Jun
6
to Jun 16

‘TASTE’

‘TASTE’

Wonzimer Gallery 

341-B S Avenue 17 Los Angeles 90031 / wonzimerinfo@gmail.com

Opening: 5 pm- 10 pm/ Friday, June 7th, 2024

Dates of Show: June 7th – June 16th, 2024

A ‘TASTE’ of OHSH Projects in Los Angeles will be a taste of the British art scene, a cross-section of the artists the project space has exhibited since their foundation three years ago. In 2021, the idea for OHSH Projects was conceived in the wake of the pandemic, in response to the lack of opportunities for contemporary artists and the proliferation of empty shopfronts across London. This being a direct

result of Brexit, a long-term conservative government, as well as the pandemic. After the pandemic Britain entered a recession and a bleak period, much like Thatcher’s Britain in the 1980s.

However, times of hardship tend to produce the most exciting and engaging art, OHSH Projects is a reflection of  new wave of art being made in Britain. By artists who are from the UK and who have come to London and the UK from across the globe, searching for the means to continue making and exhibiting their work, despite socioeconomic hardship. ‘TASTE’ will include work by twenty-five OHSH exhibitors alongside five Wönzimer exhibitors, each of whom present a unique vision at differing stages of their careers. The hardships of Britain are echoed in the United States – like Brexit, their politics looking inward, creating division and austerity. Yet, the art exhibited by Wönzimer echoes a sense of playful hope through a critical lens.



Dale Adcock 

Haydn Albrow 

Jon Baker 

Magda Balsinska 

Gary Brewer 

Jonny Briggs 

Rebecca Byrne

Charlie Chesterman 

Jamie John Davies 

Samantha Fellows

Hester Finch 

Rosie Gibbens 

Alexander Gilmour 

Henry Glover 

Joshua Goode 

Guy Haddon Grant 

Lucile Haefflinger

Lisa Ivory 

Mark Jackson 

Lucien Dante Lazar 

Hynek Martinec 

Jemima Moore 

Justin Mortimer 

Alaïa Parhizi

Miroslav Pomichal 

Joshua AM Ross 

Moussa David Saleh 

Jonathan Tignor

Cheyann Washington 

Hugo Winder-Lind

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Tae Lee Programming
May
25
7:00 PM19:00

Tae Lee Programming

https://partiful.com/e/071opw3rLO2QvaU1ZLFf

I warmly invite everyone into an open and inclusive space perfumed by ritual, prayer, devotion, and worship.

Living in this world full of love, chaos, softness, destruction, sorrow, and hope can feel overwhelming at times. One salve for this predicament we find ourselves in, is spiritual in nature. Though spirituality is often co-opted by egoic forces of a transactional economy, imperialism, hierarchical megalomania, erasure of contextual history, and vapidity, the radiance of the transcendent still remains sublime.

Ritual, prayer, devotion, and worship are elevating practices that help to expand the heart and our capacities to love, both enlightening awareness onto our innermost selves under the layers of ego we have created to survive in this world, and awareness for the others suffering in the world we have created. To spend time in a field of unconditional love and genuine acceptance is paramount in this lifetime.

Dissolving the audience and performer, visitors are encouraged to partake in stretching, meditating, reading, drawing, resting, worshiping (from their own chosen lineage), contemplating, and/or praying while artists and ritualists help blur the material world with the immaterial world within the localized space. Also it is my birthday, so you have to come.

Featuring; Yiamelic Frequencies (Diva Dompe) https://yialmelicfrequencies.bandcamp.com

Nish The Fish (Nishanth Selvalingam) tiktok.com/nishthefish

Howls Road (Emily Pratt) https://howlsroad.bandcamp.com + Surprise Guest

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‘Plants and Animals that Live Inside a Dream'
May
10
to May 31

‘Plants and Animals that Live Inside a Dream'

‘Plants and Animals that Live Inside a Dream'

Tae Lee Solo Exhibition 

Wonzimer Gallery 

341-B S Avenue 17 Los Angeles 90031 / wonzimerinfo@gmail.com

Opening: 7 pm- 10 pm/ Friday, May 10th, 2024

Dates of Show: May 10th – May 31st, 2024

Wonzimer is thrilled to present ‘Plants and Animals that Live Inside a Dream' Tae Lee’s first Solo Exhibition with the gallery. 

This collection of work is a gentle dive into the illusory nature of our perception of reality. Influenced by the teachings of Vedic philosophy as well as the experiential glimpses of the ecstatic. The paintings represent an expression of the energy that naturally arises in moments of surrender. 

Through playful imagery, Lee gently challenges the very fabric of our perceived reality and embarks on a quest to discover the true essence of being. Inspired by the artist's own explorations of consciousness, the paintings capture the sense of awe, wonder, and boundless possibility that emerges during moments of deep connection with the universe. Tae Lee Playfully teases our consensus understanding of the nature of self and consciousness through ethereal creatures that seem to shimmer on the verge of existence.

“everything is going to be ok

a sweet and gentle spirit says

heartaches and triumphs

terror and elation

play their part 

disguised as paradox

in synchronistic multiplicity 

to bring you home”

-Tae Lee

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Intersection 2024 Performance Art at Wonzimer
Apr
27
5:00 PM17:00

Intersection 2024 Performance Art at Wonzimer

Intersection 2024 Performance Art at Wonzimer

5PM Doors

6PM Performances Start

7PM End

In the essay “Wind Daruma,” Hijikata Tatsumi describes a figure of wind which sweeps up and through identifiable bodies, transforming, erasing, “immolating” them. The Yupik word for “Self”, “Weather”, “other”

and “wind” is the same Ella, a sort of motion that intertwines our interior space and the exterior world in an emphatic and enduring dance.

Intersection is a site-specific project dedicated to exploring the interconnectivity of painting, sound, dance, and film. The goal is to construct a non-hierarchical entwinement of these traditionally separate mediums. The entwinement prioritizes sensation, embodiment, and synesthesia. The artists rely on improvisation, play, and dialoguing, and the let’s-say-“tactile” intertwining of one’s physical being with the spatio-temporal fabric in which one exists.

Brief Bio:

*Matt McGarvey is a multi-instrumental musician, composer, and producer. He has a PhD in music from UC San Diego. His sound work includes composition for dance, live performance with

dance, painting and installation, live performance and soundtrack work with film, and regular album production. He is the founding member of Unthem Collective, and has worked extensively with painter Iva

Gueorguieva, filmmaker Jonesy, and musician and installation artist Gary Murphy. His recent work as Liquidated State is hypnotic and raw, synth-based music.*Gretchen Ackerman received her formal training from the Grand Rapids Ballet School and

Alonzo Kings’ LINES Ballet. She has danced for Dark Circles Contemporary Dance, RGWW,

Mike Tyus & Co, and ZiRU Dance; performing the works of Joshua Peugh, Sidra Bell, Mark

Caserta, Laurie Sefton, Luca Renzi, Rosanna Gamson, Philein Wong, and Alejandro Perez.

Additionally, she is developing her own language of movement and creation. Discipline of the

self and deep research are at the crux of her art.

*Darrel “Friidom” Dunn, a Dallas native, graduated from The University of Texas at Dallas in 2014 with a

degree in Arts and Technology. Known as the Willy Wonka of Movement, Friidom curates immersive worlds

of movement that bridge divides through philosophy and storytelling. Based in Los Angeles, CA, he works

as a director, choreographer, actor, and movement artist for various art and commercial projects. His

impressive resume includes collaborations with Universal Music Enterprises, Disney, WACO Theater, Tyler

The Creator, Lin Manuel Miranda, Dick Van Dyke, and more. His life’s crowning work is the "Epiic"

movement philosophy, blending Krump, Street Styles, and raw expressive movements, born from his personal struggles. "Epiic" performances are accompanied by orchestral progressions and cinematic scores. Friidom’s work challenges audiences to find the artist within themselves, revolutionizing movement, visual arts, technology, and entertainment. His mantra: “Live Frii, Be Epiic.”

*Iva Gueorguieva (born 1974, Sofia, Bulgaria) is a painter and sculptor. She has an upcoming show at

Night gallery, LA in 2024. Select solo exhibitions and projects include Benton Museum of Art, Claremont,

CA; UTA Artist Space, Los Angeles; Bradwolff Projects, Amsterdam, NL; Susanne Vielmetter Los Angeles

Projects, Los Angeles, CA; ACME, Los Angeles, CA; Frederic Snitzer, Miami, FL; Pomona Museum of Art,

Claremont, CA. Notable group shows include: CAM, University of South Florida, Tampa, FL; Los Angeles

County Museum of Art, Los Angeles, CA. Her work is included in the public collections of museums

including, Los Angeles County Museum of Art, Los Angeles, CA; Minneapolis Institute of Art, Minneapolis,

MN; Museum of Contemporary Art, Los Angeles, CA; Museum of Contemporary Art, San Diego, CA;

University Art Museum, California State University, Long Beach, CA; Art, Design and Architecture Museum

at UC Santa Barbara, Santa Barbara, CA; Tang Teaching Museum, Saratoga Springs, NY and Benton

Museum of Art, Claremont, CA. She lives and works in Los Angeles.

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Film Screening: Sacred Futurism,
Apr
21
7:00 PM19:00

Film Screening: Sacred Futurism,

Film Screeing

Sacred Futurism - New Media Art

by Rebecca Nie and Collaborators

Wonzimer Gallery, Los Angeles

341 S Ave, 17 Los Angeles 90031

Sunday (April 21st)

Doors 7 PM

Screening Starts at 8 PM

Q&A With Artist at 8:20 PM

Healing, wisdom, and heritage are the underlying commonalities for the three dynamic new media art pieces by Rebecca Nie and her collaborators. An award-winning artist and published author, Nie collaborates with highly accomplished musicians to create audio-visual installations that artistically aid the audience in connecting with their subconsciousness and intuition. By doing so, the artists invite the audience to experience the sublime directly and tap into the profound healing wisdom innate to every human being.

Rebecca Nie is an award-winning new media artist, published author, and spiritual advisor who lives and works in Northern California. As a contemporary heir of one of the world’s oldest living mystic orders, she creates to artistically aid the audience in connecting with their unconsciousness and intuition. By doing so, Nie hopes to invite the audience to directly experience the sublime and tap into the profound healing wisdom innate to every human being. The inspiration for Nie’s works comes from her inner work, global adventures, and attainment in diverse disciplines. Nie spent over a decade rigorously studying classical representational artmaking and attended college-level classes at art institutions throughout her formal education. In parallel, Nie intentionally expanded her horizon and added depth to her investigation of lights, colors, and forms by studying them from scientific perspectives. She attended the University of Toronto and graduated as a high-distinction scholar with dual degrees specializing in quantum optics and mathematics. Nie subsequently graduated from Stanford University with a graduate degree in applied physics. Another dimension of depth in Nie’s art comes from her training and dedication to engaged mysticism. Nie’s art and introspections are an integrated whole: she lets go of her limited self to allow the lines, colors, and textures to come forth from a mystical center in her being and knows that it is the source through which we are all connected. When not creating art, Nie can be found developing algorithms that interlace mathematical and artistic beauty, translating ancient texts, or practicing Zen yoga, which Nie learned by the Ganges River and in China’s sacred mountains.

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Vibrant Matter ~ Brilliant Fire – Films
Apr
10
7:00 PM19:00

Vibrant Matter ~ Brilliant Fire – Films

FILM SCREENING

Wednesday, Apr 10

7:00pm – 9:30pm

RSVP

FILM SCREENING

Wednesday, Apr 10

7:00pm – 9:30pm

Hosted by

Wonzimer

RSVP to see location

Vibrant Matter ~ Brilliant Fire – Films

Wednesday, April 10th

7:00PM Doors

8:00PM Film Screening(s)

9:30PM End

A FILMIC JOURNEY THROUGH THE MIND, MATTER AND IMAGINATION

OF FOURTEEN ARTISTS

Selection of 15 short films curated by Gary Brewer. Film selections below.

Materiality

1. Jackson Pollock, “Pollock Painting”, 1951, Hans Namuth, 03:44 min

2. “The Story of Kazuo Shiraga and Gutai”, Christie’s, (documentary footage of performances 1955-56), 02:33 min

3. Yves Klein, “Tableau de Feu d’une Minute” 1957, Colette Allendy Gallery, Paris, 04:05 min

4. Richard Serra, “Gutter Corner Splash: Night Shift”, 1995, San Francisco

Museum of Modern Art, 03:14 min

5. Carolee Schneemann, “Up to and Including Her Limits 1973-76”, MOMA, 2010, 02:44 min

6. Peter Voulkos, “Peter Voulkos making a Sculpture”, c. 1956, from

"Revolutions of the Wheel, the Emergence of American Clay Art," produced by Queens Row, Smithsonian American Art Museum, 01:18 min

Readymades and Beyond

1. “Marcel Duchamp talks with Martin Friedman about the Readymade”, Walker Art Center, October 18, 1965, 02:51min

2. “Noah Purifoy- Outdoor Desert Museum”, excerpt of Rashid Bahati and Sue Welsh in 1995 interview, Noah Purifoy Foundation, 02:16 min

3. Theaster Gates, “The Story of bell’s Bell - Young Lords and Their Traces” New Museum, 2023, 03:20min

4. Betye Saar: Lifetime Achievement in the Arts – “MoAD Afropolitan Ball”, 2017, 2:40min

5. Tara Donovan,”Sculpting Everyday Materials”, 2013, Louisiana Museum of Modern Art, 04:21

Artist’s Films in the Exhibition Vibrant Matter ~ Brilliant Fire

1. Aline Mare, “DB”, 1974, 03.11min

2. Iva Gueorguieva, Intersection

3. Tim Hawkinson, “Bosun’s Bass” 2016 Exploratorium, San Francisco,3:17min

4. Tim Hawkinson, “Drip Drawing” 2020, 01:18min

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‘Vibrant Matter ~ Brilliant Fire’
Mar
29
to May 3

‘Vibrant Matter ~ Brilliant Fire’

‘Vibrant Matter ~ Brilliant Fire’

Group Exhibition Curated by Gary Brewer

Wonzimer Gallery

341-B S Avenue 17 Los Angeles 90031

wonzimerinfo@gmail.com

Opening: 5 pm - 10 pm / Friday, March 29th, 2024

Dates of Show: March 29th – May 3rd, 2024

Featured Artists: Tim Hawkinson, Alicia Piller, Matthew Brandt, Iva Gueorguieva, Paul Paiement, Olivia Sears/Earl Flewellen, Cheyann Washington, Aline Mare, Gary Brewer, Ernie Lee.

The latent potential that is inherent in matter, and its material vitality has played a part in giving shape and inspiring the vision of many artist’s imaginations. It is an agent that acts in a sense as a catalyst and collaborator, giving new possibilities to create artistic form, language, and meaning.

Early humans, who discovered that fire transforms clay into a hard durable and water-tight substance developed this knowledge into the complex artistic medium and science of ceramics, creating a new material whose potential has had an enormous impact on art, society and the sciences.

Paleolithic artists, medieval alchemists, 19th-century Enlightenment scientists and contemporary chemists have all pursued materials with which to create new pigments. These novel mediums have enlarged the potential of the art of painting, introducing colors that have shaped the vision of painters from Turner to Matisse: the alchemy of matter transforming the mind of the maker.

In her book Vibrant Matter: A Political Ecology of Things, political theorist Jane Bennett suggests the idea of “vital materialism”, and articulates how non- human ‘things’ have agency that can affect and shape the outcomes of human endeavors.

Nobel prize-winning scientist Gerald Edelman proposes a novel theory of consciousness. He believes that our brain is not a fixed and unchangeable biological structure. In his book Bright Air Brilliant Fire: On the Matter of the Mind he articulates the idea that the mind is nimble and shape-shifting; the brain literally rewires itself in response to new experiences. It is shaped by the changing world around us.

The exhibition is a poetic homage to these thinkers and a reflection of how our physical interaction with materials shapes the visual language that we create and its meaning.

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24 Hour Sunset (Film Screening)
Feb
28
7:30 PM19:30

24 Hour Sunset (Film Screening)

24 Hour Sunset is the first feature documentary, directed by Charles Derenne & Edouard de Luze, covering the Art scene of Los Angeles.

The documentary, co-produced by Douglas Gordon, is composed of intimate conversations between some of the most renowned artists, Galleries,and Collectors living in L.A and the upcoming generation of artists "Made in L.A". The feature includes Paul McCarthy, Kenneth Anger ( His Last appearance), Henry Taylor, Louise Bonnet, Ariana Papademetropoulos, Patrick Painter, Sarah Watson ( Gagosian Director) Raymond Pettibon, Jeffrey Deitch,  Jill Mulleady, Peter Shire, Paz Lenchantin, Umar Rashid, Paul Schimmel, Joe Dallesandro as the narrator, and more...

Each sequence addresses a specific subject, providing pieces of information and personal vision on art, inspirations, and experiences: From the expectations of young artists to the personal hindsight of renowned artists-  Kenneth Anger giving his last message to Generation X armed with iPhones as an extension of their arms, telling them that they can create with limited resources, Henry Taylor in his studio painting live and showing his techniques while exploring his new works, Sarah Watson & Louise Bonnet on their attraction for Los Angeles and the complexity of the city, the body transformations as a model of inspiration, a Dinner at mega-collector Eugenio Lopez with creatives philosophizing about their ideas, Mr Washington sharing his story of how the painting got him out of  a  wrongful lifetime sentence to jail, Jeffrey Deitch and Ariana Papademetropoulos having a conversation about the iconology of Hollywood and the real character of L.A, Paul McCarthy talks about the limitation of freedom and the life of an artist

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Salon de Siècle: an art show made by artists for artists
Feb
24
7:00 PM19:00

Salon de Siècle: an art show made by artists for artists

As an offshoot of the traditional Salon, the term is used loosely as a loan word to signify a semi-regular gathering of creative minded art and literary enthusiasts.

Curated by @apokrify and @cerenoir, both artists unified by a shared appreciation for the genres of the late 19th and early 20th centuries and a desire to explore exciting alternatives to the somewhat sterile “white box” gallery show.

The Salon will take place ahead of this years Frieze week and is an opportunity to celebrate local talent: @thirrrsst , Fayez Ahdab, @cerenoir, @jenniferberkowitz, @rossdcallahan, @everything_kills_2.0, @samopaints, @meganjorgenson, @paashamotamedi, @fadi.masad, @crooked.rib , @sinclairvicisitud, @thewalruscatalogue, @emilyutne, @foroozan_shirghani, @shrineon, @gloriagemsanchez Natalia Szaniawski, @nicoshea_, @angleponce, @seven_ruck_, @spencer_shap, @vascodelrey, @unitedstatesgovernmentofficial, @zinniveshi, @ollievalentineartist, @tarazorthian, @erinn.mp4, @thealexandrayvette and @apokrify.

Eventbrite ticket required for entry. https://www.eventbrite.com/e/salon-de-siecle-tickets-825731654607?aff=oddtdtcreator

The Salon is multifaceted and includes live performance, you can expect: burlesque by “the sweetest star in Hollywood” Honeybaby @ryanhoneybaby, musical performance by French Jazz Vocalist Elene Dee @elene.dee, guest illustrations by Alexandra Yvette @thealexandrayvette, and a DJ set by Sarper Gokbulut @garden.of.earthly.delightss to close out the night.

There is no dress code but we are going for a “dark cabaret” 1920’s theme this Salon so dress accordingly if you would like! (We would love it).

Follow @findesiecle.art for more information and updates on what else will be in store.

We hope to see you there!

(Poster by @apokrify & @nicoshea_ image of @esther.laura.harrington)”

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Uncharted
Feb
17
to Mar 15

Uncharted

Uncharted’ Charles Derenne Solo Exhibition 

Wonzimer Gallery 341-B S Avenue 17, Los Angeles 90031  wonzimerinfo@gmail.com

Opening: 7 pm - 10 pm / Saturday, February 17th 2024

Dates of Show: February 17 – March 15, 2024

Wonzimer Gallery is delighted to present Uncharted by Charles Derenne. The artist immerses the audience in his latest artistic exploration with a new series of jungle landscape paintings and photography collages, which serve as an invitation to explore the uncharted territories of our environmental conscience. A carefully chosen ready-made further enhances the immersive experience, prompting reflection on the delicate equilibrium between human interaction and the primal pulse of the wild. 

In Derenne's artistic pilgrimage, each stroke and snapshot is a journey into the heart of human contradiction—a juxtaposition from his recent expedition of the expanse of Mexican jungles against the vastness of a fictional Arctic void. His canvas becomes a living map, a subtle moment, embracing the emotional landscape of someone torn between the rhythms of colors and the pristine silence of made-up territories. In the dance between the forest's embrace and the solitude of his studio amongst the city's cacophony. Derenne's practice transcends medium, weaving an intricate narrative of the ever-elusive quest for a sanctuary, be it within the dense foliage or the silence of contemplation.

In Derenne's first solo exhibition in Los Angeles, the new delicate painting series dances between the meticulous strokes of the Realists and the vivid juxtaposition of the palette of the Impressionists. As Derenne navigates between techniques, on the intersection of painting and photography, mirroring the sentiment of 19th-century painters grappling with the emergence of photography.  The large pieces of paper with their rough aperture, reveal a darker world of black and white vandalized plants, mimicking the duality of human morality and action. A vending machine sits in the middle of the exhibition like a church in the middle of a village, offering the viewer the possibility of acquiring ephemeral lands in the form of polaroids.  In this intricate dialogue between mediums, Derenne invites us to witness the marriage of two worlds and ponder the profound implications of their entwined existence.

"Uncharted" is a poetic invocation, a reminder of the fragility of the human mind. In this title, Derenne encapsulates the physical landscapes and the fragmentations within ourselves.  Amidst these frozen and lush landscapes, the exhibition delves into the dimensions of our need to isolate and disconnect from the dissonance of daily existence. Derenne's work becomes a mirror reflecting the desire to reevaluate, to discern what truly matters in the quietude of self-imposed seclusion. The title becomes a compass, inviting us into the heart of fictional geographical frontiers and existentialist thoughts. 

7:30 pm February 28th, 2024 

On the occasion of the release of the documentary 24 Hour Sunset on Canal +,  co-directed by Charles Derenne and Edouard de Luze, and co-produced by Scottish artist Douglas Gordon, the documentary will be screened on February 28th, 2024 at 7:30 pm. Derenne will introduce the documentary about the L.A. art scene through contemplative shots of intimate conversations between artists, gallery owners, and collectors such as Kenneth Anger, Paul McCarthy, Ariana Papademetropoulos, Raymond Pettibon, Jill Mulleady, Henry Taylor, Louise Bonnet, Jeffrey Deitch, and others. The screening will be followed by a Q&A. 

Charles Derenne ( Born in Paris in 1982) studied Fine Arts in Bordeaux, Music at Bordeaux Conservatory, and Modern Literature at the Sorbonne. The artist has presented and performed at Moma PS1, The New Museum, The Beyeler Foundation, the Palais de Tokyo, MAK Vienna, Lafayette Anticipation, Mana Fine Arts, The Yvon Lambert Library, and the Agnes B. Gallery. Derenne lives and works in Los Angeles 



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TIME BEING: LIQUID SENSES
Feb
9
7:00 PM19:00

TIME BEING: LIQUID SENSES

'Time Being' Closing Reception and Performance By Ibuki Kuramochi

Doors 7PM

Performance 8PM
End 9PM

Statement: "Liquid Senses" is an exploration that merges the ethereal realms of Butoh dance, visceral expressions, and the fluidity of identity. This performance delves into the essence of corporeality, the uterus, and amniotic fluid, navigating the boundaries between the physical and the metaphysical. Through the poetic movements of Butoh dance, the performer embodies the essence of liquid, embracing the transformative nature of fluidity.

-Ibuki Kuramochi

Suggested Donation for Artist

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Thomas Cooper Studio Open House
Jan
23
1:00 PM13:00

Thomas Cooper Studio Open House

Wonzimer gallery is pleased to take part in an open house at Thomas Cooper Studios – this East LA hub is home to designers Sally Thomas Cooper and Jason Kai Cooper and their design brands and art projects.

Thomas Cooper Studio will open its doors for a captivating day of design in its historic East Los Angeles headquarters and production facilities located at 3400 Medford St, Los Angeles, CA. Between 1:00-8:00pm PST on January 23, 2024, the celebration will include a host of special events, including an invite-only gallerists round table moderated by art critic, curator, and author Shana Nys Dambrot, a design panel discussion featuring Alex Woogmaster of Woogmaster Studio, Design Milk founder and TRAME Head of Brand & Editor-in-Chief Jaime Derringer, and Jason Kai Cooper of Thomas Cooper Studios, a Roger Davies book signing for Beyond the Canyon, and behind-the-scenes Makers Tours of the workshop in collaboration with sister companies Lusive Decor, Monarch, and Luxe Light + Home. 


“With our Thomas Cooper Studio designs, we are constantly pushing our boundaries as creatives and looking to not only our own experience and the world around us but also to our peers,“ says Jason Kai Cooper. “We are excited to be gathering so many people who inspire our own practice and to pull back the curtain on what goes into the design and art processes.” 


Sally Thomas Cooper adds, “We’ve called Los Angeles home for over 20 years and have come to love its dynamic art and design scene. We wanted to celebrate the unique intersection of art and design happening in LA and all the wonderful individuals who are pushing the industries forward.”


Events During Open House 


Gallerists Round Table | 4pm

An invitation-only round table, moderated by art critic, curator, and author Shana Nys Dambrot, will bring together leading minds in the Los Angeles art and design industries to discuss the intersection of art and collectible design.


Roger Davies Book Signing for Beyond the Canyon | 5pm

Acclaimed photographer Roger Davies will be on-site to sign his latest book, Beyond the Canyon: Inside Epic California Homes. Copies will be available on-site for purchase. 


Panel Discussion + Cocktail Reception | 6pm

Woogmaster Studio founder Alex Woogmaster, Design Milk founder and Head of Brand & Editor-in-Chief at TRAME Jaime Derringer, and Jason Kai Cooper of Thomas Cooper Studio will bring their unique perspectives to a panel discussion led by art critic, curator, and author Shana Nys Dambrot. The esteemed panelists will shed light on how they view art and design’s function in interior spaces.  At the cocktail reception guests are invited to enjoy complimentary drinks and hors d'oeuvres while perusing displayed fixtures and artworks and enjoying music from a live DJ. 


Art + Design Walk | Beginning at 1pm (ongoing)

Self-guided art and design walks will be available beginning at 1pm PT. Guests are encouraged to discover the design process and eye-catching artworks— including works by local Los Angeles sculptor Ann Weber— through a series of stations organized within the facility. 


Makers Tours | Beginning at 1pm (ongoing)

Join Jason Kai Cooper and Sally Thomas Cooper, with members of the Thomas Cooper Studio team, on a behind-the-scenes guided tour of their 85,000-square-foot historic workshop space.


Giveaways | Drawings to take place during cocktail reception

Guests will have the option of entering their name into raffle drawings to win a hand-crafted Murano glass bulb or a signed copy of Beyond the Canyon: Inside Epic California Homes by Roger Davies. 


About Thomas Cooper Studio

Creative partners Sally Thomas Cooper and Jason Kai Cooper, long known for fresh, modern lighting for home and hospitality through their ventures Luxe and Lusive, founded Thomas Cooper Studio to explore the material and sculptural essence of lighting.  

The Thomas Cooper Studio collection represents a multilayered, multifaceted collaboration between Jason and Sally. Materials and techniques join forces in a search for the inner poetry of each piece: heat-formed, mouth-blown, flash-cracked glass; carved marble, alabaster, and natural stone; cast and hand-patinaed bronze; hand-polished, leaded crystal. At the same time, a study of sculptural expression creates a balance between shine and shade, density and delicacy, form and function. 

Sally Thomas Cooper studied art history, music, and design in her native New Zealand and has worked as an interior designer, production designer, and marketing director for interior products. Jason Kai Cooper studied scenic and lighting design and has worked as a lighting, theatrical, and product designer. The couple have worked together since 1999 and hold Thomas Cooper Studio as the culmination of their shared design passions. 

Models in the collection are individually hand-crafted by the skilled artisans in our studio. Custom versions tailored to a specific setting are available by commission. 


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Time-Being: Performance
Jan
19
7:00 PM19:00

Time-Being: Performance

Time-Being: Performance

Friday, Jan 19

7:00pm – 9:00pm

Hosted by

Wonzimer

RSVP to see location https://partiful.com/e/oFBd7pUfVED8qIB88ZJN

Join us at Wonzimer for a special evening of live music from South India. Kaushal Chandrasen will play a blend of Carnatic music on the Veena with electronic rhythms and funky styles on the guitar as an accompaniment. Come enjoy this enriching experience of live music and visual art. Kaushal Chandrasen is from Mysore, a city in South India known as the "Cultural Capital of Karnataka" and for its rich tradition in Carnatic music (South Indian classical music). Currently, he is pursuing a second master's degree in guitar performance from the Musicians Institute. Date and time: Friday, January 19 7 pm: Door opens 8 pm: Performance begins Location: @wonzimer This performance is a part of the programming for the current exhibition, Time-Being: Scientific, Philosophical & Mystical Perspectives * Suggested donation of $15 that goes directly to the performing artist

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Time-Being: Scientific, Philosophical, and Mystical Perspectives
Jan
5
to Feb 9

Time-Being: Scientific, Philosophical, and Mystical Perspectives

Wonzimer Gallery 

341-B S Avenue 17 Los Angeles 90031 

 wonzimerinfo@gmail.com

Opening: 5 pm - 10 pm / Friday, January 5th, 2024 

Dates of Show: January 5h – February 9th, 2024

Exhibiting Artists:

Russell Crotty

Tomory Dodge 

Sharon Ellis

Nancy Evans

Lia Halloran

Charles Long

Linn Meyers

Sandeep Mukherjee

Khang Nguyen

Patti Oleon

Lisa Wedgeworth

Marcus Zuniga

“Firewood becomes ash, and it does not become firewood again. Yet, do not suppose that firewood is before and ash after. You should understand that firewood abides in the phenomenal expression of firewood, which fully includes past and future, and is independent of past and future. Ash abides in the phenomenal expression of ash, which fully includes past and future, and is independent of them.  Just as firewood does not become firewood again after it is ash, you do not return to birth after death.”

- Zen master Eihei Dōgen (13th century Japan)


This exhibition invites the viewer to perceive the featured artworks in light of certain scientific, philosophical, and mystical views on the nature of time-being.

The scientific account of time, which views time as an empty receptacle of discrete nows, is inadequate in its explanation of how consciousness perceives entities across time.  For instance, Newtonian time explains the separation of successive moments but not their continuity.  In other words, each moment is not only independent of every other but also of the perceiver’s mind.

Since temporal events, like listening to a melody or watching someone in motion, are characterized by and experienced as a unified succession, a phenomenological account can give a more integral explanation of time.  This explanation is less concerned with the content of an entity and more with how it manifests as a unity of temporal flux.  It demonstrates how consciousness apprehends and unifies successive moments, giving rise to the perception of the becoming of entities.  A flow of successive moments is more than a collection of discrete nows; the moments are synthesized into a unity while their distinctions in the order are maintained.

The issue of time is intertwined with the nature of being.  Time and the self are understood to be inseparable: The self is not simply in time; the self is time and time is the self.  Subjective temporal life arises through the apprehension and unification of successive states of mind and body.  It is an ongoing construct that is actualized and disclosed by the structures of consciousness.  This phenomenology of time together with ontology give an account of the structures of consciousness that constitute time-being, or rather time-becoming.

Finally, Eihei Dogen views time-being to be more than the coming and going, before and after, of moments.  When the view of succession is broken through, time-being is recognized to be a spacious field of abidance, which is at once inclusive of momentary consciousness and independent of it.  Moreover, disclosed as an immediate wholeness, time-being exceeds any momentary becoming toward consummation in the future.

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The Loves and Lives of Ann Weber
Dec
22
6:00 PM18:00

The Loves and Lives of Ann Weber

Ann Weber Closing Recption

Friday, Dec 22

6:00pm – 8:00pm

Hosted by

Wonzimer

RSVP to see location

https://www.instagram.com/wonzimer/

Exhibition Closing Event Wönzimer Friday, December 22

Doors Open at 6pm Artist alk at 7pm

341-BSouth Avenue 17 Los Angeles, CA 90031

Please join us at Wönzimer Gallery for the Closing Slide Show and Artist Talk, The Loves and Lives of Ann Weber With popcorn and champagne.

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Art & Community: A Discussion with Frances Anderton & Ann Weber
Dec
15
7:00 PM19:00

Art & Community: A Discussion with Frances Anderton & Ann Weber

Art & Community

Friday, Dec 15

7:00pm

Hosted by

Wonzimer

https://partiful.com/e/40qG7faIQ8jOtXnctwhb

Art & Community: A Discussion with Frances Anderton & Artist, Ann Weber

In addition to a daily studio practice, Ann Weber believes that participating in the arts community has furthered her ambitions beyond measure. In this one hour discussion, filmed by LA Art documents, she and Frances Anderton talk about how to become more involved with the magnificent culture of Los Angeles. Frances Anderton tells stories and distills ideas about design, architecture and the cityscape of Los Angeles, in print, broadcast media and public events. She is the author of Common Ground: Multifamily Housing in Los Angeles, winner of a Gold award for best Regional Nonfiction from Foreword Reviews. She has co-produced short films for the nonprofit housing developers Community Corporation of Santa Monica and Venice Community Housing, and she is currently researching “Awesome and Affordable” housing as a Fellow of Friends of Residential Treasures: Los Angeles (FORT: LA). She writes a regular newsletter on design and architecture for KCRW public radio station, for which she previously hosted the show DnA: Design and Architecture, and produced the current affairs shows Which Way, LA? and To The Point. Honors include the Esther McCoy Award, from the Architectural Guild of USC School of Architecture, for her work educating the public about architecture and urbanism. She teaches at USC, and she serves on the boards of AIA/LA, Community Corp, and Palm Springs Modernism Week.

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